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venues [2021/09/05 12:35] jim [VENUES] |
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| * An ideal exhibition space will have power outlets available all around, this will give you more flexibility in designing your layouts. | * An ideal exhibition space will have power outlets available all around, this will give you more flexibility in designing your layouts. | ||
| * Check the set-up needs: which kind of equipment do you need, and what does the location provide (e.g. tables, chairs, pedestals, showcases). | * Check the set-up needs: which kind of equipment do you need, and what does the location provide (e.g. tables, chairs, pedestals, showcases). | ||
| - | | + | |
| * Scenification: | * Scenification: | ||
| * Verify if you would have to share space with other works and consider how that could affect the curatorial script. | * Verify if you would have to share space with other works and consider how that could affect the curatorial script. | ||
| - | * Verify if the venue has technical staff prepared to help with the setup and maintenance or if you would have to bring your own team with you. | + | * Verify if the venue has technical staff prepared to help with the setup and maintenance or if you will have to bring your own team with you. |
| - | * Check security issues: do they have security guards? Have they had any previous cases of robbery or any kind of work damages? Do you need to consider implementing security measures? (e.g. locks, avoiding wireless | + | * Check security issues: do they have security guards? Have they had any previous cases of robbery or any kind of work damage? Do you need to consider implementing security measures? (e.g. locks, avoiding wireless |
| - | * Confirm if they have a close storage room for all the packaging, additional instruments and works related equipment. | + | * Confirm if they have a secure |
| Once you have this list it is important to determine if your prospective location is capable of handling the number of devices you wish to have installed. Remember, the space' | Once you have this list it is important to determine if your prospective location is capable of handling the number of devices you wish to have installed. Remember, the space' | ||
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| * Wired internet access if possible. | * Wired internet access if possible. | ||
| * The possibility to use walls, floor and ceiling. | * The possibility to use walls, floor and ceiling. | ||
| - | * Have a close storage room. | + | * Have a secure |
| - | If an exhibition space meets these requirements, | + | If an exhibition space meets these requirements, |
| ====Adapting a Space==== | ====Adapting a Space==== | ||
| - | Adaptations to a space are to be expected for a variety of reasons such as the desire to create a black box setting for a specific work, the works themselves may require special furniture to be created, to block excess light from a specific area or even to create a particular atmosphere through set design. | + | Adaptations to a space are to be expected for a variety of reasons such as the desire to create a black box setting for a specific work, the works themselves may require special furniture to be created, to block excess light from a specific area, or even to create a particular atmosphere through set design. |
| - | Most space alterations can be done with drywall and pinewood frames. One benefit of such structures is that they can later be reused in future exhibitions, | + | Most space alterations can be done with drywall and pinewood frames. One benefit of such structures is that they can later be reused in future exhibitions, |
| Drywall is also not the only solution to unwanted light reflections, | Drywall is also not the only solution to unwanted light reflections, | ||
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| * When going online you shouldn' | * When going online you shouldn' | ||
| - | * Online exhibits put the focus on the experience over the object. All experiences are different, you as a curator / producer can't have the same control as with a physical venue (e.g. can't control the ambient, the lighting, or the surrounding sounds, you can't control external interference). Choose the tool based upon the experience you want to create and the audience you are addressing, not the other way around. | + | * Online exhibits put the focus on the experience over the object. All experiences are different, you as a curator / producer can't have the same control as with a physical venue (e.g. can't control the ambience, the lighting, or the surrounding sounds, you can't control external interference). Choose the tool based upon the experience you want to create and the audience you are addressing, not the other way around. |
| * If you are running a video game exhibition then you should aim for a ludic experience. It might not be about showing the works but about creating a new way to experience that work through the internet such as: field trips to online games with a specific goal, virtual performances, | * If you are running a video game exhibition then you should aim for a ludic experience. It might not be about showing the works but about creating a new way to experience that work through the internet such as: field trips to online games with a specific goal, virtual performances, | ||
| * There are a wide variety of tools that have arisen during the pandemic, some are better for reduced group experiences, | * There are a wide variety of tools that have arisen during the pandemic, some are better for reduced group experiences, | ||